Facts About Louis Braille's Birthplace
Copyright © 1995 by the National Federation of the Blind.
From Kenneth Jernigan: In the accompanying article I have told you about
my visit to Louis Braille's birthplace in Coupvray, France. I thought you
might like to have additional information, so here are excerpts from the
guidebook given to visitors:
It is obviously impossible to do justice to a life as exceptional as that
of Louis Braille in the few pages of a booklet; the many souvenirs and
testimonials contained in his home could in themselves provide the material
for more than one book.
The purpose of these few lines is to be for some people a reminder of a
visit both moving and enriching--and for those who are not yet acquainted with
Louis Braille and Coupvray, an encouragement to visit here.
THE VILLAGE OF COUPVRAY
The village of Coupvray is situated on the slopes of a grassy hill set
between the Brie region of France and that of the Champagne province. In
spite of the proximity of the Marne Valley, it retains even today . . . the
character of a rural village. One may still see the small brown-tiled roofs,
the farmyards, the farmhouses and a village green surrounded by trees where
are clustered together St. Pierre Church (where Louis Braille was christened
on January 8, 1809), the village hall, and the monument by tienne Leroux set
up in 1887 and topped by a bust of the inventor of the alphabet for the blind.
The body of Louis Braille rested in the village cemetery till 1952. On his
tomb can be seen a casket in which the remains of his hands are
preserved--those hands which were the first in the world to finger the raised
dots of the Braille alphabet. All around is still open country. High above
is the farm of the chƒteau. Here and there amid the gardens and orchards,
small grassy paths meander across the hillside. And, on the lower slopes, is
an old wash-house with wooden posts and mossy tiles where the clear waters of
the Fr‚minette flow swiftly by, gently murmuring.
THE BRAILLE FAMILY HOME
The Braille family home is in the lower part of Coupvray at the end of a
small street which in the past went by the name of Knoll Street. . . . It is a
large solid house, built in the latter half of the 18th century and restored
at various times since then. The Braille family also owned several farm
buildings in the yard and on the opposite side of the street. A marble tablet
was affixed in 1952 to the wall of the house facing the yard. The text, in
French and English, reads:
In this house
on January 4, 1809 was born
Louis Braille
inventor of writing
in raised dots
for use of the blind.
He opened the doors of
knowledge to those
who cannot see.
THE LIVING ROOM
This room is really the heart of the house, both by reason of the
memories it evokes and on account of the very well- preserved Briard-style
architecture. On entering, we find ourselves in the warm, cozy atmosphere of
the homes of yesteryear. Here in this one living room, Simon-Ren‚ Braille,
the saddler, lived with his whole family: his wife Monique and their four
childrenÄÄMonique-Catherine, Louis-Simon, Marie-C‚line, and their youngest,
Louis. It is here that are gathered together all the essentials of daily
living.
Under the mantelpiece:
- The fireplace with its fireback bearing the arms of France, dated 1659.
- The bread oven built of small tiles. Its arch fits under the winding
staircase. It used to be heated by burning dry vine shoots. Then after the
embers had been pushed back, pies and loaves were placed in the oven.
- The cheese recess. The warmth of the oven enabled the successful
processing of the renowned Brie cheese to be carried out; this was later
further "refined" in the cellar.
- The door into the loft [or upstairs]. This stands between the alcove
and the bread oven. In the past the term "granary" was used--where the grain
would be stored.
- The alcove is very typical of the Brie region--oak-framed, adorned with
roundels and ears of corn; the latter are symbols of the Brie region.
To the left, as you enter:
- The sink. The Briards used to call it "the washer." It is a
large flat stone, slightly concave, where the wooden pail was set down. [By
means of a hole in the bottom], the water drained away through the wall
straight into the yard.
- The stove-setter. This consisted of crossed wooden slats on which
frying pans and sauce pans were hung. A recess above the sink provided
storage space for jugs, pots, and other utensils.
Also of note in this room are: the oak beams on the ceiling; the doors of
the 18th-century wardrobe; the "maie" or bread bin, in which the loaves were
stored; the warming pan used to warm the bed; the oak table; the gun; the
lantern; the cross; and, above the door leading to the [upstairs], the
portrait of Louis Braille--the only photograph of the celebrated inventor.
THE WORKSHOP OF SIMON-REN BRAILLE, SADDLER
For over a century the Braille family carried on the craft of saddler
from father to son. Louis Braille's grandfather, Simon Braille, had settled
in Coupvray early in the 18th century. He had taken over his father-in-law's
business which was already established in the village in the 17th century.
Some of the equipment and furniture used by the Brailles in their craft
may be seen in this workshop:
- The wooden workbench, much worn from long use; the typical chair with
its seat consisting of crossed leathern thongs.
- The horse collar block. This enabled the saddler to shape the collar
to fit the horse's neck.
- The sewing clamp, which the saddler gripped tightly between his knees
to hold the leather firm.
- The branding iron. Heated, the iron was used to brand the owner's
initials on the horse's rump.
- The saddler's tools: paring knives, awls, tool for stuffing, moulds,
etc.
On the walls of the room:
- A grape harvester's basket. Simon-Ren‚ Braille owned some vines in
Coupvray.
- The Accident. A painting by Andr‚ Harfort.
Here we come to the tragedy which cost young Louis Braille his sight. In
1812, he is a happy little three-year old. THe loves to come and watch his
father handle those mysterious tools laid out on the work bench. Mysterious
and attractive. One day, taking advantage of his parents' absence, he seizes
a [tool] and tries to cut a piece of leather, but his small hands are clumsy.
The leather is tough. Suddenly, the blade slips and penetrates the child's
eye. Nothing can arrest the infection which sets in, and the other eye
becomes infected. At the age of five, Louis Braille [becomes totally blind].
LOUIS BRAILLE'S ACHIEVEMENT
When we speak of Louis Braille's work, we should not forget two men who,
in one way or another, were his forerunners. The first is Valentin Hay. In
the 18th century this philanthropist had founded a school for the blind and
invented an embossed alphabet for them. If Louis Braille was able to enter a
special school in 1819, it was thanks to the pioneering work of Valentin Hay.
The second is Charles Barbier de la Serre, a captain in the artillery [during
the Napoleonic Wars]. He had found a way to communicate with his brother
officers at night by means of a system of raised dots. The pupils at the . .
. Royal Institution for the Young Blind . . . tried out this "Sonography,"
which took no account of spelling and, in addition, was most complicated. At
the age of thirteen Louis Braille began his research with a view to designing
an alphabet based on a cell of six raised dots. This system was
enthusiastically acclaimed by the pupils but was rejected by the teachers
(1826). Being sighted themselves, they refused to countenance a form of
writing which they could not read. It was not till 1844 that, at the
inauguration of some new buildings in the Boulevard des Invalides, the
governors at last recognized the undeniable value of the system. Since then
Braille, adapted to many of the languages of the world, has become for the
blind a universal written language.
In the room which is devoted to Louis Braille's work, various pieces of
equipment and documents have been assembled, showing the birth of raised dot
writing, its development and use.
- Barbier rule (1819)
- Barbier slate with wooden frame (end of 19th century)
- Slate with removable frame (end of 19th century)
- Raphigraph device invented by Braille and Foucault, making it possible
for the shape of normal handwriting to be reproduced by means of a succession
of raised dots. Braille used this method to write to his family.
- Braille writer [the Hall writer] manufactured in Chicago (beginning of
20th century).
Several books written in French and other languages, printed in Braille,
books for educational or cultural use, are shown here. Among other titles,
attention is drawn to:
LOUIS BRAILLE IN COUPVRAY
First a pupil and later a teacher at the Royal Institution for the Young
Blind in Paris, Louis Braille always remained deeply attached to his native
village. Letters written in "raphigraphy," preserved by the family
Lecouvey-Braille are proof of the interest he always took in his family and
friends in Coupvray.
When, weakened by illness, he was forced to rest for long periods of
time, it is here that he sought the impossible cure. He had one of the rooms
of the family home, facing the street and with a fireplace, prepared for his
own use. In this room where, close to his family, he lived out some months of
respite, some touching mementoes have been assembled.
DAILY LIFE IN COUPVRAY IN LOUIS BRAILLE'S TIME
From this house, a real witness in stone, we are able to recreate the
daily life of a 19th-century village. There is a strong emotional bond
between Louis Braille, his family, and Coupvray. Ties were forged with
inhabitants of the little market town. Childhood ties: Louis went to the
village school; his two sisters, Monique-Catherine and Marie-C‚line, married
two of the local boysÄÄJean Fran‡ois Caron and Louis-Fran‡ois Marniesse.
Civic ties: Ren‚, the father, was appointed several times to posts of local
authority. Ties due to shared experiences: together they endured the war, the
Russian occupation. Religious ties: Louis's christening, the various feasts
of the Christian liturgy: Christmas, Easter, the Assumption, and, of course,
St. Peter's (the local patronal festival). The bonds of tradition, too: the
evenings 'round the fireside at the homes of friends and neighbors.
In order to bring to life anew these vanished village activities and old
customs, the Louis Braille Museum presents--in four distinct exhibitions--a
variety of objects, documents, pictures, and articles of furniture, revealing
clearly another way of life.
The attic (the old granary store):
- Childhood: games, books, clothing.
- Religion: religious articles, books, pictures.
- Marriage: a bridal bouquet, the jewel case.
- Dress: the dress of a young girl of the Brie region, caps, scarves.
- Furnishings: the dresser, the bread bin.
- Tableware: china, glasses, pots.
- Household goods: irons.
- Pictures: portraits, colored pictures sold by traveling peddlers.
- History: the monks of Saint-Maur, the Rohan family, Cardinal Collier, the lectern.
The loft:
- Agricultural work: field work, harvesting.
- Women's work: laundry, butter making, making straw mats for Brie cheeses.
- Memorabilia: the trunk, railings of Braille monument, 15th-century door, spiral staircase, the bed warmer.
The cellar:
- The wood pile: axes, pruning knives, wood-splitting wedges.
- Cooperage: various tools for manufacturing and marking barrels.
- The vines: field work, planting, care of the vineyard.
- Grape harvesting, picking grapes: carrying baskets, wine press tools, casks, taps, old bottles.
FULL INFORMATION ABOUT THE BIRTHPLACE
After the death of Louis Braille and his direct heirs, the house became
the property of the Maurice, Marniesse, and Braille familiesÄÄhis nieces and
nephewÄÄwho administered the property jointly until 1878. At that time Mr.
Toupet bought the house which overlooked the courtyard and in 1889 the Baudin
family purchased the one facing onto the street. From 1898, the whole became
the property of the Crapart family. The Braille home was sold on March 29,
1952, to the association "The Friends of Louis Braille," which was represented
by Mr. Pierre Henri Monnet, the Mayor of Coupvray; it was then fitted up as a
museum and opened to the public. With a view to acquiring for it the status
of a municipal museum under government control, the association decided to
donate all its assets to the Parish, recommending that the museum should be
administered by an international organization (November 23, 1956). The Deed
of Covenant setting out the agreement between the W.C.W.B. (World Council for
the Welfare of the Blind) and Coupvray was signed on July 27, 1957.
Since that time the World Council for the Welfare of the Blind (now the
World Blind Union) has proudly devoted itself to caring for this shrine which
the blind of the whole world value as the birthplace of their benefactor.
Send your questions or comments
Copyright © 1992, 2005, all rights reserved.
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